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Cowboys & Aliens (2011)

As a fan of westerns, science fiction, Harrison Ford and the lovely/exotic Olivia Wilde, I've undoubtedly been excited about Cowboys & Aliens for sometime now.  The cast is incredible, the trailers were awesome, and the combination of two rarely bred genres definitely promised an interesting experience.  Still come opening weekend I couldn't help but become slightly bogged down in the sudden pessimistic reactions from a large portion of critics and early moviegoers.  And the multiple comparisons to Will Smith's abomination  (the movie adaptation of one of my favorite classic TV shows The Wild Wild West), put doubt in my mind that Cowboys & Aliens was going to be any good.

Daniel Craig is Jake Lonergan, a man who wakes up in the middle of the desert with no boots, no memory of past events, a large wound on his chest and a metal device (which turns out to be an alien weapon) seemly soldered to his wrist.  You'd think things couldn't get much worse for him, but isn't this usually when everything starts really going downhill?  Traveling to the nearest town he gets into a scuffle with the son of the town's most feared man (Woodrow Dolarhyde aka Harrison Ford), discovers he's a wanted man and lands himself in shackles on the next prison wagon to Santa Fe.  But that wagon never makes it out of town as the citizens finds themselves under the invasion of a group of strange flying crafts which begin grabbing the townsfolk, hurling them into the sky and whisking them away.  With half the town abducted, those who remain must put aside their differences and team up to rescue their loved ones.

The plot of Cowboys & Aliens is simple, but then what exactly do you expect from a film called Cowboys & Aliens!?!  In my opinon it's pretty hard to make a bad action/adventure film if you have a stellar cast.  Combine a mediocre cast with an average plot and sure there's probably little hope.  That's essentially the case with Cowboys & Aliens, if you like the cast I think you'll overlook any glaring flaws you may think the film has; if you don't really care for any of the stars then you're more likely to find something to complain about. Because of this, and the initial reaction the film seems to be getting I think most people are going to split down the middle on this one.  Still, fan or not most seem to agree that the performances by Daniel Craig, Harrison Ford and Olivia Wilde are solid, it's the premise and execution most people seem to have an issue with.

For the most part the biggest complaint I've gathered from the handful of reviews I've read is Cowboys & Aliens isn't over-the-top enough, it's boring, it's bland, it's not cohesive and it simply isn't fun.  Along the same lines some didn't like the fact that the film had a more serious tone than they expected and that the few "emotional" scenes felt out of place in a film I assume they thought was going to be something like Snakes On A Plane.  Unfortunatley that's the problem when you venture into or near "B-Movie" territory, although it's my opinon Cowboys & Aliens was never meant to be a B-Movie, but that seems to be what a majority of the naysayers were wanting.  Personally I share none of the above mentioned criticisms.

At the same time I don't have anything overly praise worthy to say about the film.  As a standalone western it's average, as a standalone science fiction film it's average, it's the conglomeration of the two which has really ever been done on this scale before, along with an amazing cast that made the film enjoyable for me, without an as good cast I couldn't see this working.  Daniel Craig does a great job as the amnesia stricken tough guy, a role that was previously given to Robert Downey Jr who backed out prior to filming.  I couldn't see Downey in this role, he's better suited for the sarcastic, smart aleck characters, something Jack Lonergan obviously isn't.  

Harrison Ford is the new go-to-guy in terms of actors to play grumpy old men, and he plays it flawlessly (as he also did in Morning Glory), plus he can still deliever on the more emotional scenes, which I thought were probably some of the better executed scenes in the film.  And the icing on the cake is Olivia Wilde, who I swear could stare at the camera for an hour and I'd be in a trance.  Her character has a bit of a spin thrown on it later in the film which made her a little more interesting.  Just a side note, someone needs to get her and Summer Glau together and do some short of action or science fiction series, the two look like twins separated at birth.

Overall, one of the things I liked most about Cowboys & Aliens is that it does take itself somewhat seriously, by not attempting to be a Piranha 3D style of over-the-top B-movie camp-fest.  It's a straight western film with a lot of science fiction elements but it's all done with a straight face, some winks and a little bit of dry humor.  Unfortunately I think a lot of people are going into it expecting something extremely off the wall and overly campy, and therefore are going to be sorely disappointed.  The premise is campy in it's own right, the film just not overwhelming so, and it worked for me.  So if you're looking for an interesting mix of genres, a great cast and a decently executed story, then Cowboys & Aliens will provide you within 118 minutes of good entertainment.  It's not the best movie of year, but it's worth taking a chance on if it sounds like something you'd be interested in.

8/10

Into The Wilde #11



Wilde Tweet: "in a thousand years archeologists will dig up tanning beds and think we fried people as punishment."

Agreed, I'll never understand the fascination of tanning beds and spray on tans, it looks horrible.  Go al naturale!

Into The Wilde Twitter Edition is an excuse to post a lovely picture of Miss Wilde and provide you with an amusing tweet from her official twitter account @oliviawilde.  But let's be honest, you're just here for the pictures.

Dinosaurs - The Complete First and Second Seasons (1991)

 
 Originally Reviewed
Wednesday May 24, 2006

It's been a long time coming waiting for one of my favorite shows as a youngster to finally arrive on DVD, at first I thought maybe my enjoyment and fascination with this show was because of my youthful days and that maybe watching this show again for the first time in about 11-12 years I might not find it as enjoyable as I once did... well I was wrong.

Dinosaurs, was a show that was far ahead of its time, so much so that nothing like it has ever been done or attempted since. What made the show totally original and unique was that it took humans in animatronics suits combined with some puppet characters and made a sitcom which on many occasions touched on topics in the real world but like most sitcoms, did so with humor, essentially a regular sitcom format but with dinosaurs substituted for humans. Included in this four disc set are the five episodes of season one and the twenty-four episodes of season two.

Like every sitcom family show there is a cast of kooky characters. First off we have the father, Earl Sinclair. Earl is pretty laid back, lazy and a little empty in the head, which probably explains why he pushes trees down for a living. His wife Fran is the only sane one in the family and is always the voice of reason, you could say she wears the pants in the family. Next is oldest child Robbie, who goes around questioning all the traditions of their culture and making Earl's life way too complicated. Charlene, the daughter, is your typical teenage valley girl, concerned with only money, clothes, boys and popularity. 

Finally, and my personal favorite, is Baby Sinclair. The Baby is the main comic relief of the show, without the Baby this show wouldn't be that great, he's the icing on the cake. He's the reason I love this show so much, and quite frankly I think he's one of the greatest TV characters of all-time. The Baby is totally animatronic, there's no one inside of him, yet it's amazing how life like he is and the types of expressions he makes are hilarious; not to mention he's basically the originator of all the catch phrases on the show such as: "I'm the baby, gotta love me!" "Not the mama!" "Again!", and many other great ones. His laugh, his voice, hitting Earl upside the head with a frying pan, everything about him is marvelously done, and it's not surprising that some of the most enjoyable episodes surround him.

My favorite episode of the first two seasons is episode one of Season 2 entitled The Golden Child, this is where Baby Sinclair consumes large amounts of sugar and grows a golden horn, signifying him as king of the dinosaurs. Some other great episodes are: Endangered Species, Switched At Birth (the Sinclair?s discover their egg had been switched and that The Baby wasn't their baby), Refrigerator Day, Nuts To War Parts 1 & 2 (Robbie goes off to war to fight the four legged dinosaurs over nuts), And The Winner Is... (Earl runs for chief elder when the current elder dies while naming their baby); those are just a few of the great episodes during the first two seasons.

Overall, Dinosaurs is a gem of a television show, great for the whole family, hilarious, extremely well made and executed from the great life like characters all the way to the TV shows that they watch.  There's ask Mr. Lizard, a science show where a small dinosaur named Timmy asks Mr. Lizard scientific questions and usually gets dismembered in the process of finding out the answer, leading to the well known phrase, "We're gonna need another Timmy!" 

If you haven't seen Dinosaurs before check it out, more than likely you won't be disappointed, the first episode of season one is pretty boring and mainly setting up the cast of characters, but after that the show gets rolling and especially in season two the episodes get really good. My overall rating is an average of each episode which ranged between 7's, 8's and 9's, season one and two are not the best seasons of the show but definitely solid and entertaining. I can't wait for the remainder of the seasons and some of my all time favorite episodes still to come!

 8/10

Barbara Bouchet: Picture of the Week #9

This week's photo is another one of my favorites.  It's a fairly rare publicity photo for the horrible James Bond spoof film Casino Royale.  Barbara Bouchet had a limited role as Moneypenny, and couldn't save the film for me from being completely boring.  It's a hot picture, unfortunately she never wears that costume in the film (might have made the film worth it if she had) so obviously it was used to fill theater seats, short of like Raquel Welch's photos for Hannie Caulder.  It's also worth noting that a lot of people get Barbara Bouchet mixed up with Joanna Pettet (who played Mata Bond) I've lost count how many times I've seen people posting or selling photos from Casino Royale with Pettet in the Indian headdress and "I Dream of Jeanie" outfit and claiming it's Barbara Bouchet, that's Pettet not Bouchet.


Into The Wilde #10



Wilde Tweet: "I change in my car as entertainment for my fellow traffic prisoners. Not that it's sexy. I just strangled myself with a bra strap. Spaz."

That would definitely make traffic worth sitting in.

Into The Wilde Twitter Edition is an excuse to post a lovely picture of Miss Wilde and provide you with an amusing tweet from her official twitter account @oliviawilde.  But let's be honest, you're just here for the pictures.

Into The Wilde #9



Wilde Tweet: "Menfolk, don't tell me your wife said you're allowed to sleep with me. At that point I'd rather sleep with her."

They probably wouldn't be against that either...

Into The Wilde Twitter Edition is an excuse to post a lovely picture of Miss Wilde and provide you with an amusing tweet from her official twitter account @oliviawilde.  But let's be honest, you're just here for the pictures.

The Embalmer (1965)

While many of the Italian thrillers of the giallo sub-genre may not be overly par-excellence you it's difficult to make the claim they aren't extremely creative, even to the point of sometimes being bizarrely awful.  The Embalmer (aka Monster of Venice, aka Il mostro di Venezia) is one clear example; an extremely mediocre thriller with an overly campy plot and execution that's strangely entertaining.

If you're a lovely lady you might want to think twice before booking your next trip to Venice.  Not only does the city teeter on the brink of sinking into the sea but you must beware of crazy perverts in scuba gear pulling you into the canals and embalming your beauty for their own twisted pleasure!  Well at least that's what's happening in The Embalmer, a film about a crazy masked man who lives in the depths of a submerged monastery in Venice.  Of course no one would imagine a serial killer pulling victims into the canals, at least the disappearances of women have left the police baffled.  But a young newspaper reporter thinks there's a bigger connection, and begins his own investigation in what he believes to be the work of a monster.

In terms of a thriller, The Embalmer fails on almost all accounts.  The plot is extremely over-the-top, the villain at times almost comical, and the music rarely fits the mood of any given scene.  Yet ironically at the same time those failures are what make this film quite entertaining in an entirely different way.  I loved the fact that the streets of Venice seemed to become completely deserted when it became dark.  Most of the victims were not walking around at three in the morning, they were going home from work or a gathering with friends, is there an eight o'clock curfew or something?  Then the killer putting on a scuba suit, pulling his victims into the canals, taking them to his under sea lair and pumping them full of chemicals to display their everlasting beauty on his wall... need I say more!?!

Overall, The Embalmer won me over with it's pure creative nature, even though technically it's not a great or even good film.  For the genre it's definitely stands out as being a little overly bizarre and unintentionally comically entertaining, but as a growing fan of the classic 50's & 60's B-Movie it was an entertaining diversion and an interesting side note in the giallo genre.  

6/10

Barbara Bouchet: Picture of the Week #8

Pulling another rare one from the archives enjoy this lovely picture of Barbara Bouchet, taken for an Italian magazine back in the 1970's.


The Rogues - Episode 11: Plavonia, Hail and Farewell (1964)

When I originally set out to take on the entire filmography of Barbara Bouchet, I shied away from the handful of television appearances she made prior to her career move from Hollywood to Italy.  But as chance would have it I was able to find all six appearances she made on rather popular 1960's television series and thus decided to throw my two cents on them into this filmography series.  The first television series, and Bouchet's first credited acting role came by way of the short lived NBC series The Rogues.

The Skeleton Key (2005)

 Originally Reviewed
Thursday January 5, 2006

All Caroline (Kate Hudson) wants to do is help people; she still holds the pain of losing her father and never having had the chance to take care of him. As a nurse she has the opportunity to help people, but at the hospital everyone is treated as a body taking up a bed, no one cares about them. Caroline decides to take a job as a hospice worker for an old man, Ben Devereaux, who has had a stroke and can no longer move or speak. Violet, Ben's wife, presents Caroline with a skeleton key which opens all the doors in the house, all except a hidden door shadowed by the darkness of the attic, the same place were Violet claims Ben had his stroke. 

Violet claims the room has never been opened, but Caroline finds Violet's response to be rather twisted. She opens the door herself to discover a room full of Hoodoo enchantments, and begins to get a feeling that there is a little more behind Ben's "stroke" than what she has been told. In her snooping she's completely unaware that she is opening a can of worms that could quite possibly cost her life. But the whole reason she continues to stay is the hope of saving Ben and getting him out of the house alive.

The Skeleton Key turned out to be much more enjoyable than I expected it to be, containing everything that makes a good thriller; an interesting story (which continues to build upon itself as new information is provided) and plenty of tense scenes. While most of these can be predicted ahead of time and aren't that scary they still add a little tension to the film. As far as the acting I think the two main characters did a great job. This is an unusual role for Kate Hudson and I thought she played the part very well as she had the terrified and tormented look down pretty well. As for Violet, played by Gena Rowlands, she did a great job playing the odd and at times very creepy old woman, you might remember her as the grown up Allie in The Notebook.  

Ultimately, The Skeleton Key this is your average thriller.  It keeps you alert and guessing as to what's going to happen next and whose responsible for it all. At times things are quite predictable but still it all manages to be fairly entertaining. The ending is both surprising, and somewhat disappointing, as it's definitely not going to be what you expected.  I kept hoping there would be another twist but it never came. In the end, this is a decent rental, and an entertaining thriller with a rather disappointing ending, at least it was for me.

7/10 

Barbara Bouchet: Picture of the Week #7


Pulling this week's Barbara Bouchet picture out of the archives, have never seen this on the web so it's safe to say it's pretty rare.  She has sort of a Daisy Duke look going for her, it's a production photo from the 1970 film Debito coniugale translated "Marital Debt".

What Lies Beneath (2000)

Originally Reviewed
Sunday October 30, 2005

Two great actors in possibly one of the worst genres of film one could imagine them together in. Of course the combination of Harrison Ford (one of my all-time favorite actors) and Michelle Pfeiffer would make one wonder how anything could possibly go wrong? Well, the acting was great, it's the story that's simply terrible. Claire Spencer (Pfeiffer) is the wife of Dr. Norman Spencer (Ford), she has the feeling that their next door neighbor killed his wife and she's come back from the dead an is trying to contact her. As Claire begins to dig up information she's about to discover something a whole a lot more shocking.

To go into much depth would risk giving away the multiple twist and turns in the film, and once you know what happens it's quite pointless to put yourself through some of the tortuously long drawn out scenes. My family and I sat down and watched this film recently and commented about how much we did not remember since our last viewing over three years ago. As the film progressed we began to realize why we'd forgotten or maybe the better word is blocked it from their memory. The story tends to constantly drag on and take more time than is humanly necessary to proceed through a scene, going from slightly suspenseful to terribly annoying. The acting in the film is great, at least by Ford and Pfeiffer, but even their talents can't save this one. In fact I think there should be a rule that A-list actors should not be allowed to do horror films, since 99% of the time they're awful.

With that said I have seen it now three times, and maybe in another three to four years I'll watch it again. It's not a horrible film, but it's one you'll probably wish you hadn't wasted your time on or at least you will fast forward through 10% of it to keep it moving. If you’re looking for a good suspense thriller/horror there are plenty of other options better than this, and many better Harrison Ford films, although this is a rather different role for him which at times is entertaining. If you’re completely bored and have nothing to do... weigh the benefits of going to sleep or watching this, I only recommend it if you're a big fan of either of the leading actors, and I mean BIG FAN! 

6/10 

Good Neighbor Sam (1964)

For decades Hollywood has found humor in placing a wholesome character in precarious situations.  Such is the case with Good Neighbor Sam, a film about a wholesome family man named Sam Bissell (Jack Lemmon) whose quiet, mundane life is about to be turned upside down.

Smallville: Season 3 (2003)

 Originally Reviewed
Tuesday March 20, 2007

Season 3 takes a complete 180 degree turn from Season 2 as we begin to see Smallville get a little darker and grittier and everyone's life begins to take a complete down-slide. Clark must come face to face with the consequences of running off to Metropolis. Lex makes it off the island he crashed on only to be institutionalized by his father who makes him appear to be insane. Chloe is stuck under the thumb of Lionel Luthor, but has the necessary information to put him away although at the same time also potentially putting her life in danger. Pete begins to experience the negativity of knowing Clark's secret as his life is put in danger on countless occasions. Jonathan Kent begins to experience serious heart problems due to his bond with Jor-El which he made in an attempt to bring Clark back from Metropolis. And Lionel Luthor discovers he's on deaths door which makes him more dangerous and desperate than ever before! In my opinon Season 3 has the best story-lines in the series, even the side episodes which don't try to fit into the main plot of the season, turn out to be quite entertaining.
 
Character Development:
Clark Kent: Clark begins to experience the consequences of his irrational actions during his three month fling in Metropolis when he was hopped up on Red-K. His relationship with Lana, which had finally happened prior to him leaving, was now pretty non-existent, and he now has renowned crime boss Morgan Edge on his back. Throughout the rest of the season Clark begins to get that much closer to discovering the truth behind his past, though the closer he gets the more it seems to have a negative effect on the lives of those around him.

Lex Luthor: After his plane crashed on a deserted island Lex probably didn't believe his life could get much worse, but it was about to. In his return he discovers his father had setup his meeting with the woman he ended up marrying, the woman that tried to kill him in a plane crash. This leads Lex to progress the family feud to an even greater level. He discovers that his grandparents had been killed in fire before he was born and that his father and Morgan Edge were the ones responsible. In an attempt to get his father put in prison Lex makes a deal with Edge to confess to the murders, but Lionel soon gets wind of Lex's plan and begins to make Lex appear insane. After Lionel has Lex committed and his memory of the past couple of months erased Lex spends the rest of the season attempting to get back the months of his life his father stole from him.

Lana Lang: Growing tired of the small-town life and the ups and downs of her failed relationships Lana has begun to not be so open to heartbreak. The breakup with Clark hurt worse than anything else due to the fact he refused to be honest with her and kept pushing her away even though at times it was clear Clark really did care for her. Near the end of the season she finally begins to come to grips with her emotions and makes an attempt to break free of Smallville.

Chloe Sullivan & Pete Ross: Chloe's decision at the end of Season 2 in agreeing to help Lionel dig into the past of Clark Kent turns out to be a major mistake on her part. While it got her an internship at the Daily Planet, it also locked her into the demands of Lionel Luthor. In an attempt to get out of her position Chloe is able to obtain Lionel’s confession to the murder of his parents, but blackmailing a Luthor isn't a wise move. With Chloe's life now on the line she turns to the only person who can protect her...Lex. As for Pete Ross, he's quickly learning that being the cover-man for Clark Kent's secret isn't all he expected it to be. Eventually Pete's life is put on the line because of his knowledge of Clark; it's all too much from him to bear.

Lionel Luthor: This season Clark and the mysterious caves become Lionel’s obsession. While Lex is off attempting to dethrone Lionel by recovering his lost memories, Lionel is attempting to open the secrets that lay within the mysterious underground caves. Much like Lex, Lionel believes Clark Kent knows much more than he leads on about, and the secrets that live inside the cave walls could mean life or death for Lionel.

Top 5 Episodes
:
Aired 1/14/04
Lionel has Lex admitted to Belle Reve and schedules him for a highly deadly shock therapy in hopes of erasing Lex's memories of the past few months but the result could potentially fry his brain. Clark plans on breaking Lex out before the procedure begins but runs into trouble when he reunites with a few fellow meteor infected classmates he helped put in Belle Reve.

Aired 4/28/04
Lex is being haunted by the memories of his youth, specifically ones involving his younger brother Julian, who died as a baby. These flashbacks of his youth all seem to be linked to an experimental treatment he is undergoing at the Summerholt Institute which is supposed to help recover the last few months of his life that his father had erased. But instead of recovering those past months Lex remembers the truth behind the death of brother, a secret kept buried inside of him for so long that he had forced himself to forget. Clark attempts to prevent Lex from going through with the treatment but falls into a trap set by Lionel.
 
 Aired 11/19/03
Morgan Edge returns from the grave but has had a total facial reconstruction done and now looks and sounds like a completely different person. Lex finds him and coerces him into confessing to having assisted his father in the murdering his grandparents years ago. After that Lex's life is suddenly turned upside down and he believes someone, possibly his father, is out to kill him. The video tape confession of Morgan Edge is stolen   and there is no evidence of an attack on him at the Luthor mansion. It all seems like an elaborate plan to make Lex look mentally unstable, but Clark believes Lex is telling the truth only helping him get to the bottom of it ends up putting Lana's life in danger and revealing his secret.

Aired 10/01/03
After Season 2's shocking conclusion Clark's guilt leads him to Metropolis on a long term Red-K high, and there's no stopping Kal-El. Clark's Red-K alter ego leads him to a life of crime and gets him mixed up with Morgan Edge, Metropolis's leading crime boss, who hires Clark to steal something from Lionel Luthor, something that turns out to be a vial of Clark's own blood! Lana goes to Metropolis in an attempt to bring Clark back and is furious at Chloe whose known where he was at the entire time. Jonathon Kent makes a deal with Jor-El in an attempt to bring Clark back and Lex tries to stay alive and escape the island he's been stranded on for 3 months.

Aired 5/19/04
A girl claiming to be from Krypton arrives at Clark's doorstep claiming she was sent to bring him to Jor-El to prepare him for the next stage of his journey. Lionel informs Lex he's dying from a rare liver disease, Clark terminates his friendship with Lex when he discovers Lex has continued to investigate him after he claimed he had stopped. Lana moves to Paris, Clark agrees to follow Jor-El to save the life of Jonathon Kent, and a handful of main characters meet their possible doom at the hand of Lionel Luthor whose still able to pull strings even behind bars. 

 9/10

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